Final Trailer

My final trailer is 1 minute and 10 seconds long. I am happy with this length of time, and I have included all of the content that I wish to. You can tell from my previous trailer draft that I have improved it using advise from Myra Lee. I have done this by removing the dialogue, decreasing the captions, adjusting the structure, quickening the shots and removing the 'crying' shot.

Image Symbolism

I was studying the semiotics in this image and noticed a big representation issue, which also links to the movie, Dinosaur, poster. This is because both have use of a tree silhouette around the male character which suggests he is the more dangerous or mysterious character. The female character has the sun and lots of brightness on her side of the image which symbolises that she is the innocent, happy character.

I feel that the image is non-conventional because the couple's costumes aren't stereotypical - they were themselves to make it more realistic. This makes my movie more of an independent, low key movie rather than a high budget Hollywood movie.

QR Code

This is an example of a postmodern semiotic advertisement, which I found on this website. A QR code is a form of barcode that can hold much more data than the traditional version, including links to videos and websites. QR codes have been around since the 1990s but have become increasingly popular in the UK in the last year or two because smart phones, such as the iPhone, are able to read them. 

The QR code shown above is strongly suggestive of the character's imprisonment. Her eyes gaze out from behind the code as if from behind the bard of a jail cell, while the framing of the image, the thick white margins either side of it and the way the name of the film and its starts are squared off so neatly all seem to contribute to boxing her in. She seems trapped behind the poster, rather than a part of it. This also links to the female gaze theory, which I learnt about in my foundation production. I think this QR code in particular links to this theory because the female character is looking pretty and innocent, like a stereotypical female would. 

I am not going to add a QR code into my work because I feel that technology has improved since they came out in the 1990s, and that is quite old in the media world. Although people with iPhones are able to adapt to them, my target audience may not necessarily own an iPhone and therefore it would be pointless adding a QR code for the sake of trying to be up to date with technology. 

Workshop With Media Professionals

Media professionals, Myra Lee and Phil Chamberlain came into Marlwood to give feedback and advise for our advanced production coursework. Myra is a journalist, lecturer and media trainer who gave advise on our film work. Phil is a freelance reporter and communications consultant who has written news and features for newspapers such as The Guardian, The Independent and The Daily Mail. Phil gave advise on our print work.

Here is the feedback from Myra after watching my trailer draft:

- She didn't like the dialogue because it wasn't clear and crisp enough. This I agreed with and planned on taking out the dialogue anyway.
- She thought the titles were too descriptive. She thought the titles were too obvious and cliche so could be changed to something that is going to draw the audience in. Such as "can they live without each other?", because then the ending isn't revealed and it leaves the audience wondering if they get back together or not.
- One of the shots was of the female actress wiping a tear from her face. Myra thought this looked too artificial so suggested removing this clip from the trailer.
- She thought the trailer gave the story away and needs a structure that won't do this. So at the beginning of the trailer will be a shot of the two characters meeting and being in love, then having an argument and then shots of them missing each other.


The feedback that Phil gave me on my poster is that I should enlarge the top imags so that they overlap over the page. I should also make the font larger and edit the main image to remove the tree at the top (seen below). For my magazine cover, I need to include a price and remove on font, sticking to only a couple on there. Phil also suggested I put a price on the magazine cover so I decided on £4 because media magazines are generally around this price.
Here is the before and after image to show how I have edited my main image on my movie poster after receiving feedback from Phil:

Before

After

As you can see I have removed a piece of the tree from the top frame because it looked random and in the way. It was an object that wasn't needed in the image. I had tried taking it out originally but I found it hard to look realistic, however when Phil gave me his feedback I tried again and successfully removed that part of the image.

Draft Ancillary Tasks

These are my first drafts of my poster and magazine cover before I receive feedback and advise to improve them. 

Poster

Magazine Cover

Trailer Draft 2

This trailer draft is 1 minute and 16 seconds long. I would still like to make my final trailer a little shorter. Upgrades and advise for this second draft will be found in the "Workshop With Media Professionals" post, 2 above. I like my final shot of the "coming soon", twitter username, website and production company. I like the variation in fonts to make each one stand out differently. And I have decided to add a twitter name as all media programmes, films etc. are advertising their own twitter users now, so this keeps my trailer up to date with today's media.

Background Music

Here are two music choices that I have to choose for the background in my teaser trailer. Here are the links to listen to the soundtracks through Sound Cloud.

I have chosen The Man Who Can't Be Moved because there is more variation in sounds, instruments, rhythm etc. and seemed to work better with my filming.

Paramore - The Only Exception (Acoustic Instrumental)

The Man Who Can't Be Moved (Instrumental)

Semiotic Analysis & Postmodernism In Relation To My Work

The Ugly Truth

The Ugly Truth is a romantic comedy movie, released in 2009. This is the poster of the movie which is full of semiotics. First of all, instead of a photo shoot with the main actors, they have taken a silhouette images of a female and male (mostly used on public toilet doors), placed a barrier between them and added a red heart image where they believe it belongs. The semiotic connotations of the hearts suggest that females are brainy and more sensible with how they love people, whereas males think more about the sexual side to relationships. This links to the gender theory. 

In terms of my own production work, I'm not using any symbols or signs therefore, semiotics doesn't relate to my work. However, I believe that my trailer is POSTMODERN. The genre of my trailer is romance, and the whole idea was to make it a complete cliche and pastiche of romantic movies. I have used a typical couple and made them be typically in love. This could also be seen as a hyperreality of what love is really like. The love in my trailer is hyped up. Therefore, my text is postmodern because it is a pastiche and uses hyperreality. 

Magazine Cover Drafts With Actual Images & Poster Drafts

Posters:

My audience feedback included the thought that the poster without the black borders looked more professional. With the black borders, it doesn't look like it has been something done on Pages.

Photo Shoot Edits

For the following images I have adjusted the lighting levels which adjusts the brightness and contrast.



This is one of my favourite images because the couple look happy - they are looking at each in the eye and smiling which is the atmosphere that I wanted to achieve in my images.





This is a close up of the couple's faces. To improve, I would have liked the actors to be looking more happy as they look a bit like they're just looking into space. I didn't get many close up images and this was the best one I managed to capture.







I like the location in this image - the couple look like they are in a romantic place and are enjoying watching the sunset. They are cuddled up and are looking comfortable.

I like the fact that you can see some bridge and sand in the background to show they are at a romantic location which helps set the scene.

This is my best portrait image. I wish the actors were looking happier, as they look quite sad. The lighting also isn't great but this was because I was using the video camera to take this image, rather than a normal camera so I wasn't able to adjust any settings.

The next edits are a bit more interesting as I have added layers, borders and lighting affects.

This affect was to add more light in certain areas of the image but I don't like the result as it clearly looks constructed. I thought I would upload it anyway to show development.

Here, I have added lighting in the top left corner with bursts of sunrays shining down which help create a happy and sunny atmosphere. On the day of shooting, it was quite a dreary day so it is nice to be able to use this editing technique in order to make the day look sunnier.

Here I have used a oval fade border but I think it crops out too much of the actors' faces.

Here I have layered two different images, just to see the affect it gives but I don't actually think it works with these two particular images. The top layer has a lower opacity in order to bring the bottom layer through.

Trailer Draft 1 (Without Music) & Test Screening

The planning of my characters didn't work out the way I had planned. I was hoping to have a girly girl and a cute looking male, but instead I have a rocky looking girl and a thuggish looking guy. However, I think that their looks do work together for the movie. This happened because the actors I had in mind were no longer available on the days of filming. Nevertheless, I pulled out some other actors and the footage I achieved works well. This is my first draft of my trailer without background music which I am still deciding on.

I am aware that the dialogue from the characters' is very bad quality and you can hear the wind in the background, so if I decide to keep this in my trailer I shall use a voiceover and just mute the clip. However, this will be hard to keep the wording in sync with the actor so I may just stick to either text on the screen or a narrator voiceover.

Test Screening


I showed my first draft of my trailer to my target audience and they felt that the cuts were too long. They feel like the shots should be shorter and snappier, especially at the end of the trailer when it rounds up the footage.

They were happy with the lighting and shots. The inspiration for these is through the questionnaire that I had my focus group fill out, near the beginning of the project. From the questionnaire I knew that the audience would prefer warm and soft lighting, close up shots, a slow pace and simplistic editing techniques in the trailer. Therefore, I have used all of these affects in my project to attract my target audience.

Originally I had planned to use a pretty, innocent, feminine looking girl with a cute looking male. However, this didn't go to plan because the actors weren't available. Therefore, I have used a female (still wears feminine clothes) who is in the middle of her performing arts degree at The University of England, whilst the male is an aspiring actor who has appeared in various MTV music videos. Both of the actors had a rocky look to them so I thought their image looked good together and felt that it would work for the project.